Portfolio

Title: Power Unboxing
Medium: video performance

2020

Title: untitled
Medium: photography

2020

Title: Goddess Possession
Medium: plaster cast, acrylic paint, hands

2020

Title: when I wonder…the space between thoughts
Medium: video and performance

2020

Title: untitled
Medium: photo documentation of performance

2020

2020

2020

Title: untitled
Medium: cast plaster, acrylic paint, paper, masonite board and performance


2020

Title: Believe Hard
Medium: performance for video

2020

Title: This is Us
Medium: scrap wood, gloves, performance

2020
2020
2020

Title: Fat Tights
Medium: Spray Foam, Ballet Tights

2020
2020

Title: Learn To Dance, (First Position)
Medium: Cast Concrete and Cast Vermiculite, Performance

2019

Title: Learn To Dance, (Fifth Position)
Medium: Cast Concrete and Cast Vermiculite, Performance

Pandemic Video Chat

2020

Title: Pandemic Video Chat
Medium: Video Performance

2020

Title: Layers and Layers of Cake
Medium: Performance for Video

2020

Title: DIY Facial Scrub
Medium: Video Performance

Christine Lynn’s Fossil Adventure

2020

Dance Assist Episode 2 – Back Bend

2019

Dance Assist Episode 1 – Legs Up the Wall

2019

Sidewalk

2019

In the development of this idea I was thinking a lot about chance, fate, weight, and the way we lean on certain issues. I was thinking about winning and losing, and also about taking sides. I was thinking about property and ownership. I was thinking about being embraced and belonging or even being un-welcome and turned away. I was thinking about judgement. I was thinking about the middle way. The idea of walking this singular path leads me to think of our path throughout our life, or even lives, and what determines the sides we take and how this can shift throughout time.

Deep Seated

2019

In this work, I elevate an upturned seat on top of a ladder to aggrandize the presentation. There is a junction between the jar of honey and the metal seat where honey drips through both of them. This temporal loss of honey occurs in a messy transference from the jar above to the floor below. This work was influenced by Buddhist parables, ancient Buddhist monastic medicine, and thinking about wealth disparity in relation to religious and socioeconomic themes.

Giving and Giving

2019

The time when I most often practice mindfulness is while cleaning. In this piece, I discuss the connections between different forms of giving and the compassion of cleaning. I create a visual connection between mop heads and my own head so that the mops can be read as figurative heads or in reverse, my head can be interpreted as a mop. The piece is activated by my performance as I run the water through my own hair and give the water to the mop below, which gives water to the mop below, which gives water to the mop below, which gives water to the mop below, which gives water to the mop below.

Pony

2019

In this sculpture and performance, I create an amalgamation by not only simplifying the form of a horse but also by highlighting distinguishable characteristics of a horse’s appearance. By elongating the form, suspending the box, and selecting the placement on my head, I entice the viewer to recognize the artwork as animal and human simultaneously. The apple in the performance is more than a nod to iconic symbolism throughout art history. It functions as device to bring the art into a broader context conceptually. For a horse, an apple is often a special treat. In my performance, I too enjoy the apple.

Lady Parts 03

2018

Within this cyclical existence we meet in the context of my piece. I am the impermanent material visiting this work. I mimic myself through the more permanent and still forms because no matter how hard I try, I cannot be permanent.

Identity can be an authentic representation of ourselves. It can also be a cleverly constructed falsehood. Sometimes others create our identities for us. Identity can exist in an instance as a distinct and intangible idea. It can also be something completely different in the next moment. We are born into an identity already at least partially pre-determined for us by many things from family names, to social security numbers, to finger prints. This series of pieces is inspired by how we are born into the cycle of rebirth within Samsara and our current life is determined by our previous lives that lead up to our life in the present as our true self. While one might speculate about multiple lives over a duration of time, we can also consider the idea that we ourselves have multiplied.

Lady Parts 02

Within this cyclical existence we meet in the context of my piece. I am the impermanent material visiting this work. I mimic myself through the more permanent and still forms because no matter how hard I try, I cannot be permanent.

Identity can be an authentic representation of ourselves. It can also be a cleverly constructed falsehood. Sometimes others create our identities for us. Identity can exist in an instance as a distinct and intangible idea. It can also be something completely different in the next moment. We are born into an identity already at least partially pre-determined for us by many things from family names, to social security numbers, to finger prints. This series of pieces is inspired by how we are born into the cycle of rebirth within Samsara and our current life is determined by our previous lives that lead up to our life in the present as our true self. While one might speculate about multiple lives over a duration of time, we can also consider the idea that we ourselves have multiplied.

2018

Lady Parts 01

Within this cyclical existence we meet in the context of my piece. I am the impermanent material visiting this work. I mimic myself through the more permanent and still forms because no matter how hard I try, I cannot be permanent.

Identity can be an authentic representation of ourselves. It can also be a cleverly constructed falsehood. Sometimes others create our identities for us. Identity can exist in an instance as a distinct and intangible idea. It can also be something completely different in the next moment. We are born into an identity already at least partially pre-determined for us by many things from family names, to social security numbers, to finger prints. This series of pieces is inspired by how we are born into the cycle of rebirth within Samsara and our current life is determined by our previous lives that lead up to our life in the present as our true self. While one might speculate about multiple lives over a duration of time, we can also consider the idea that we ourselves have multiplied.

2018


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